UNTITLED FOR KENNY 1979 Poster | Keith Haring Poster | Keith Haring Prints
Untitled for Kenny, 1979: A Rare Glimpse into Haring's Genesis
Discover an exceptional piece of pop art history with Untitled for Kenny, 1979, a seminal work by the iconic Keith Haring. This early creation predates his famed subway chalk drawings, offering a raw and intimate look at the artist's formative period in New York City. Rendered in his signature bold linework, this piece captures the energetic, expressive style that would redefine contemporary art.
This museum-quality reproduction is meticulously printed on our Master's Edition archival paper, a 250 gsm (110 lb), acid-free matte paper with a natural, uncoated finish. Its thick, luxurious texture (0.29 mm / 11.4 mils) faithfully preserves the depth and detail of the original artwork, while the off-white tone ensures true-to-life color reproduction. The FSC-certified paper reflects our commitment to sustainable art.
Each print is available in four convenient sizes to suit your space. Elevate your collection with this archival masterpiece that endures, and explore more from our curated selection of Keith Haring posters and museum-quality pop art prints.
Own a piece of art history – a testament to Haring's genius and a timeless addition to any sophisticated interior.
What is the significance of 'Untitled for Kenny, 1979' in Keith Haring's career?
This early work, created in 1979, showcases Haring's foundational style before his subway drawings. It reflects his interest in movement, line, and raw expression, offering a rare insight into his artistic genesis.
What makes this a museum-quality reproduction?
Our prints use archival-grade, acid-free paper (pH above 7) to prevent yellowing. The 250 gsm, matte, uncoated finish precisely replicates the original's texture and color, ensuring longevity and fidelity.
What is the paper weight and thickness of this print?
The print is on 250 gsm (110 lb) paper, measuring 0.29 mm (11.4 mils) thick. This heavy, substantial paper enhances durability and provides a premium, gallery-like feel.
Is the paper acid-free?
Yes, the paper is acid-free with a pH above 7, ensuring your print remains vibrant and free from yellowing over time. It's conservation-grade for lasting value.
What sizes are available?
We offer four sizes for this print, allowing you to choose the perfect fit for your space. From compact to large, each size maintains the highest quality and detail.
Is the paper eco-friendly?
Absolutely. The paper is FSC-certified, ensuring it comes from responsibly managed forests. We are committed to sustainable art without compromising quality.
How should I care for my Keith Haring print?
Frame it under UV-protective glass and keep it away from direct sunlight and humidity. This will preserve its color and integrity for generations.
Can I frame this print easily?
Yes, the print's standard dimensions and professional finish make it easy to frame. We recommend using a conservation-grade mat and backing for optimal preservation.
What is the delivery time and packaging?
We ship in sturdy, protective packaging to ensure your print arrives in pristine condition. Delivery times vary by location, with tracking provided for all orders.
Do you offer returns if the item arrives damaged?
Yes, we offer free returns if your item arrives damaged. Our customer service team will assist you in a replacement or refund, ensuring your satisfaction.
How does this work reflect Haring's use of line?
Haring's iconic bold, black line is evident, creating a sense of energy and continuous movement. This piece exemplifies his ability to convey emotion and narrative through abstract lines.
What was the artistic context of New York in 1979?
In 1979, New York's graffiti and underground art scene was thriving. Haring was part of this dynamic environment, influenced by street culture, hip-hop, and the energetic pulse of the city.
Is this piece representative of Haring's later pop iconography?
It foreshadows his later pop icons like the radiant baby, but with a rawer, more experimental edge. This early work shows the seeds of his visual language that would evolve in the 1980s.